a (white) summer: Cannes style (Part 1)

image

Carey Mulligan impeccably white even under the rain.

long gone are the days when no white before Memorial Day or after Labor Day was the rule. still, white can get nasty if not used properly. the normal misconception is: in Miami is summer all year long, so white and linens are considered uniforms.

false.

no matter the climate, summer is summer and winter as well. linen in winter? nautical stripes in november? I need to bite my tongue and be polite by saying that if we were to create a fashion police squad down here we would make a lot of money with fines. by that I mean for charity.

Le Festival du Cinema in Cannes confirmed it: white is the new black in red carpet language. The ladies who Cannes mastered it. note to self: watch it close and get inspired if you want to keep it haute.

image

image

image

image

image

image

P.S. next post will give the translation from red carpet to street encounters

'it's a tragedy': the John Galliano saga in episodes

image

It seems there’s no redemption token on sight for John Galliano, the immensely talented designer. [as seen on Vogue.co.uk]

March 2011. the infamous, inhumane, unfortunate “offensive remarks” and he’s out. No excuse, we agree, none should ever express nor bare in their mind for that matter any depleting thoughts and words against any other human being’s beliefs.

image

2011 and 2012. redemption, make amends, community service, rehab and all that needed jazz. Doing good dude.

image\

Receiving La Legion d’Honneur from President Sarkozy (did anyone remotely hinted he’s wearing Hasidic attire at this point in time?)

February 2013. We are all elated by the signs of resurrection from the ashes of blame for our hero/Phoenix. The Oscar de la Renta stint. [as seen in this blog]

The Fall collection presented under the elder statesman of American fashion’s realmproved that genius is like class: you are either born with it or you can’t buy it. The flair of the collection was Gallian(o)-ified with special effects that gave us the “oh-my-he’s-back” thrills. 

April 13, 2013. The appointment at Parson’s for a 3-day masters class after is another distinctive sign. Then, here comes the announcement that no less than Parsons has retained John for a workshop assignment and we are all student-age envy.

April 26, 2013. The anonymous petition against professor-to-be Galliano is filed.

May 8, 2013. Classes are cancelled. 

Doesn’t Judaism, as any other religion, teach forgiveness? [as read in The Daily Beast]

'it's a tragedy' says it simply Suzy Menkes. [as seen in The Cut]

The comeback.

Some light at the end of the tunnel: the July edition of Vanity Fair will publish, we all hope, his first tell-all interview with Ingrid Sischy. [as read in Fashion Week Daily]

a tell-all sit-down TV interview? [WWD]

Liz [Rosenberg] please take care of it! And may the odds be ever in your favor.

'the most beautiful and rich woman on earth'

It happens in your life like your Bat Mitzvah or your First Communion, sooner or later you cross your path with the Fitzgeralds and it’s never the same.

I was 17 and on my first rebellious stage when I first saw the movie with Robert Redford and subsequently read the book. Although my rebellion manifested in such a demure fashion that [I believe it] mostly remained confined within the parnthesys of my own ears, I had an epiphany: in one of my previous lives I had been Daisy.

Glamour, Paris, pearls, short bobbed hair, women smoking cigarettes, long days never ending before the sun rises, champagne and yachts.

Coco Chanel, the iconic rebellious of the decade, wearing trousers and cardigans made of men’s underwear fabrics, the dropped waistline and just a lot of pearls.

Blouses and bold wallpaper prints, beads, sheerness, silks, sleeveless evening gowns.

The New York Jazz Age of Duke Ellington and Louis Armstrong, les Folies Bergere and Greta Garbo. Paris and the Ritz Bar, Le Lido and its underground marble pool. 

The novel is about living in the realm of possibilities, on the fine line of fragile and magnificent illusions. I read this about the book:

… Fitzgerald’s characters, each as fabulous as Babe Ruth, [are] rendered with the fragmentary touches of a Cézanne watercolour.” The comparison is perfect: Fitzgerald uses bright shocks of colour and vivid juxtapositions to create impressions, not facts. Gatsby’s greatness is measured by the intensity of his dreams, which provide him a “satisfactory hint of the unreality of reality”… 

No matter what the critics are saying, what Miuccia with director Bez Luhrmann and costume designer Catherine Martin wanted to do was to make Daisy the ‘most beautiful and rich woman on earth’. 

Could that be why I really think I was Daisy in one of my previous lives?

P.S. I haven’t watched the 3D movie and I am posting pictures of the one I am familiar with.