on reshaping and rebranding

2013 is the year of the snake. snakes shed their skin numerous times in their life as a manifestation of a re-birth. by coincidence (first link, here is where my chain of thoughts begun) I started the year with a colossal and regenerating 21-day detox process that procured an internal and inner chock. my body, skin, guts, lymphatic system, organs thanked me and my chakras are so cleansed that I can feel the tunnel filled with the sparkly light.

and no, the cleanse didn’t involve LSD, au contraire, no toxins are allowed. only exception granted to my morning coffee, which, if you know me, you know what I mean.

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second link. I have initiated the tedious path of reshaping my eyebrows almost to my Khalo-esque youth years. mind blowing I know, but my fast paced mind realized that I was taken by the vortex of accentuated and statement holding eyebrows that have walked the runways these past 2 seasons. is this what happened also to MObama? according to the getting-bangs-to-let-her-thin-eyebrows-grow conspiracy theory, yessir. does anybody know where to find a eyebrows magician who will be able to guide me through this existential choice of my present life? nothing better than a perfectly shaped eye brow.

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third link. there have been tumultuous reshuffling in the fashion world, I know no news and mind blowing again, but follow me here. Raf Simons for Christian Dior and John Galliano resurfacing in Oscar de la Renta’s studio (go figure), Alexander Wang for Balenciaga and Nicolas Gesquiere nowhere to be found. In magazines happened … what happens to the hot freshman in the dorms: he gets to sleep in different beds … So Harper’s Bazaar, WSJ and T Magazine played the wheel of fortune and the girl from Bazaar went to WSJ who went to T Magazine. we got the first Deborah Needleman cover and chapeau for the rebranding of the logo and for the bold statement of the front cover story on Lee Radziwill. Fashion circus be aware, expect whipped lashes.

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Golden Globes: why there wasn't a best dressed

the movies were exciting, the winners deserved the awards, no big surprises, we were all pleased with the choices, the hosts were entertaining, funny, ironic, wit as we would want them all along.

Sienna wearing custom Erdem. a note: cropped tops we have seen the following week in Christian Dior Couture, so she was trending before the trend. she wanted to give credits to an English designer and she firmly believed in him. the Americans didn’t understand it, oh well.

the show sailed smoothly with no drama (except Jodie Foster’s speech that will end up studied and dissected in the years to come), no Hollywood diva outshining the others or standing out. it seemed all so perfect that fashion was kinda flat too, no pulse. 

She chose Alexander McQueen for comfort … mmm … did she think it was cool saying that? couldn’t have been a little more appealing mentioning the exquisite neckline beadwork and the impeccable cut? we have to remember she’s in the catalog of Ann Taylor which is all about streamline comfort …

this is Christian Dior Couture perfection although she really wasn’t sure what that meant. nothing dahlin’ , you just wore the first collection designed by Raf Simmons for Dior and you don’t know it

this one knows what she’s doing, with British accent

until tonight at the SAG awards, 

yours truly

Source: http://www.style.com