'the most beautiful and rich woman on earth'

It happens in your life like your Bat Mitzvah or your First Communion, sooner or later you cross your path with the Fitzgeralds and it’s never the same.

I was 17 and on my first rebellious stage when I first saw the movie with Robert Redford and subsequently read the book. Although my rebellion manifested in such a demure fashion that [I believe it] mostly remained confined within the parnthesys of my own ears, I had an epiphany: in one of my previous lives I had been Daisy.

Glamour, Paris, pearls, short bobbed hair, women smoking cigarettes, long days never ending before the sun rises, champagne and yachts.

Coco Chanel, the iconic rebellious of the decade, wearing trousers and cardigans made of men’s underwear fabrics, the dropped waistline and just a lot of pearls.

Blouses and bold wallpaper prints, beads, sheerness, silks, sleeveless evening gowns.

The New York Jazz Age of Duke Ellington and Louis Armstrong, les Folies Bergere and Greta Garbo. Paris and the Ritz Bar, Le Lido and its underground marble pool. 

The novel is about living in the realm of possibilities, on the fine line of fragile and magnificent illusions. I read this about the book:

… Fitzgerald’s characters, each as fabulous as Babe Ruth, [are] rendered with the fragmentary touches of a Cézanne watercolour.” The comparison is perfect: Fitzgerald uses bright shocks of colour and vivid juxtapositions to create impressions, not facts. Gatsby’s greatness is measured by the intensity of his dreams, which provide him a “satisfactory hint of the unreality of reality”… 

No matter what the critics are saying, what Miuccia with director Bez Luhrmann and costume designer Catherine Martin wanted to do was to make Daisy the ‘most beautiful and rich woman on earth’. 

Could that be why I really think I was Daisy in one of my previous lives?

P.S. I haven’t watched the 3D movie and I am posting pictures of the one I am familiar with.

The Parisian school of couture

The city of lights and its pompous being never downplays when it comes to hosting Couture week. Even under a snow blanket, grey skies, clouds and forbidden temperatures to any sensible human being, Paris has the knack for fashion that surpasses itself every season. Choosing the collections to feature is not easy task for anyone as in awe of fashion as we all are, but surprisingly there’s a fil rouge that runs through all of them: a world of whimsical gardens and forests.
It makes it all more magical.

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For Chanel Haute Couture Karl delivered a forest of oak trees with invisible birds chirping at the Grand Palais. The collection is chic, haute, romantic and lavish with cascades of sequins, chiffon and mock embroideries. A magical fairy tale of models strutting with feathers on their eyelashes and two big trends: pointy shoulders and open toe thigh-high boots that serve as pants under skirts, tailored suits and long dresses.

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Valentino. Haute Couture has to be magical, and the designer duo imagined this garden, like a waltz, where grace and exquisiteness prevail over the gardener’s hard work. French gardens are well manicured, English gardens have the rough look as if left to mother nature, alas not less curated, this collection is a sum of hundreds of hours of charming lightness: ethereal and rich. Layers of organza, rolled crepe, tulle, butterflies and flowers embroidered and hand painted, crystals and topaz beads and guipure, a delicate and lace-like couture fabric. To contrast the scenery, LA understated natural looks.

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Dior Haute Couture and two words: oh Raf! The waterfall of flowers of last Couture collection was paired by its ‘very idea of spring’ when nature explodes ruthlessly impeccably reinterpreted from the Dior’s dream of the garden he would retreat to. Flowers were elaborated through the most sophisticated fabrications and embroideries by les petit mains. Pinched waist, the Bar jacket, the tulip shape dramatically accentuated were some of the brands staples that Raf reconnected to. Pants and pockets on skirts are his effort to bring reality into couture, to connect a world full of colors like the spring and his architectural and conceptual soul.

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Ulyana Sergeenko. The Russian designer went west, on a trip down memory lane, featuring a giant illustrated fairy tales book for her second namesake couture collection. The models strutted on a yellow brick raggedy runway as pioneer women, donning Sergeenko’s signature nipped waist flowy skirts topped with aprons and chiffon off the shoulder blouses. Despite the overall theatrical mood, which didn’t save her from some criticism of being a newbie, the collection was feminine and showed usage of couture fabrics and equivalent techniques that granted her the Olympus next to the titans.

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#MFW day n.1: the art of devotion

Devotion is the one and only inspiration of the Dolce & Gabbana collection. The same way a Sicilian is devoted to iconoclastic imagery, piety and innocence, to designers duo is devoted to tailoring, detail and creativity (which includes choosing regular street guys to walk on the show mingled with runway models).

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creativity

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devotion

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sartorial detail (courtesy of swide.com)

Some trends: needlepoint, imagery, flowers, fur.

A Pitti showdown (from the Southern Riviera)

When the switch between the holidays and Pitti clicks, it is called the new #[insert the city] F[ashion]W[eek] season. That wanting to be there and having to watch runways vicariously through webcasts or Instagram. 

Picture this: watch the new autumn ‘13  runways attended by the most fabulous crowd donning in the best of the best of the fall ‘12 collections sitting at your computer with a constant 80 degrees temperature. The perspective gets surreal. 

You see these pictures from the aisles of La Fortezza Da Basso and then you happen to stroll in Lincoln Road and capture middle aged men wearing tight fitted black underwear tees and flared jeans with black squared toe shoes …

Or, you see this grandeur (excuse me, a man with a rust Cosentino coat) and then the dirty truth, such as baggy cargo bermudas and short socks sticking out of sneakers.

That’s when champagne weekends spent devouring every style.com review kick in.

More on this later …

who wants to be color of the year?

Every time Pantone announces the color of the year, I think of all the rest of the colors in a sort of Hunger Games competition. And then the trilogy galore, Hollywood style. glad that this year it’s a color I can wear, not like the Tangerine Tango that killed me in 2012.

a few of my favorite things (of 2012)

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I have never done it before. Repurposing content is an art and what better time than the end of the year to look back.

It’s been one to remember (mon Dieu it had been ages I didn’t feel that replenishing happiness in saying that) for accomplishments, travels and spiritual growth. I adore just about everything that happened in 2012.

Writing: did I really always harbored in my heart that love for writing? Yes I did, I have been blinded by life hustle to the point of digging a tunnel deep down to the earth and hide it as an unspoken treasure.

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Accomplishments like writing for Examiner.com and CBS Local, landing a column on Fashionotes thanks to guest-blogging-guru Jon Morrow. Getting the press accreditation for Art Basel Miami Beach

Travels to Madrid to visit friends, to my beloved Florence and vintage scouting.

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… and California, Playa del Carmen, Chicago.

Spiritual growth, time for myself, meditation and reflections about the culture I come from. Did I ever mentioned about my dream of retiring in Populonia? ‘cause if I didn’t, there you go.

Motherhood (who said that when kids grow they need you less? idiot!) like Cecilia’s blog.

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Cheeky obsession with ‘weddings' to the point that I have had the honor to feature etiquette fairy Eleonora Miucci

Fashion everything, any #anywhereFW, including Pitti, the first Christian Dior par Raf Simons, Schiaparelli moments and its related impossible fashiousness at the Met Gala (the highest fashion moment of the year)

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Tiaras on my mind (almost ready for another tattoo) and London callin’ (just about time to go back)

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Here we are welcoming a new year. 

Sending you all wishes for it to bring you all you wish for. Simple.

Yours truly